Making pastels and attempting to make Verdigris from scratch.

Started the day with some sour dough and java, then a nice bike ride, on return my next-door neighbour heard about my idea to use some copper to make Verdigris and gave me some copper to use. After eating some spicy pheasant breast, I drove to the studio and made another paper assemblage, ate some sour jellybeans and made a hematite red and clay pastel, but with clay I levigated to get the crap out of it and then dried and crushed so it mixed better with the pigment. I think this will make a nicer pastel than just using the clay without processing it. When I got home, I heated up some vinegar and poured it into a glass jar I put bits of the copper pipe into, hopefully a reaction will happen over the next week or more and I’ll get some pigment I can use. Ate too much garlic bread today. Peace out.

copper pipes submerged in distilled malt vinegar. if this doesn’t work I’ll try a mixture of peroxide and vinegar.

copper pipes submerged in distilled malt vinegar. if this doesn’t work I’ll try a mixture of peroxide and vinegar.

dry clay, crushed, dry powder clay next to hematite, mix of both, moisture added and finished product.

dry clay, crushed, dry powder clay next to hematite, mix of both, moisture added and finished product.

crummy sketches are the backbone of all good ideas

If you walk into a gallery, chances are a lot of what you see was thought up in the moment, rough sketches done in pubs on fag packets, ideas talked about over beers then rushed into creation until it works. So does good art all start with crummy drawings? Nah, but I think a good chunk does, today that’s all I did, crummy drawings feeling hungover. I didn’t even drink yesterday, I just ate too much shite and not enough water, I think a lot of artists have bad habits, we like to indulge in nice shit, we make nice shit. even Piero Manzoni’s tin of shit was nicely packaged, luxury shit. from shit comes gold, it’s like the philosophers stone. yup.

crummy drawings on shite paper

crummy drawings on shite paper

Dirty paper

Cold start to the day pre hot java injection, Then I got in the broom broom to the studio, started mashing up some pastels on my dirty paper I made last week. Oil pastel worked really well on the dirty paper, I like how the concentrated colours really make the lines made with the oil pastels stand out on the dirty paper. Dirty paper. Made by smashing charcoal and dirt onto the paper with a hammer and by stamping on it with my shoes. Then I made some more sewn paper assemblages after finishing a whole multipack of own brand rocky chocolate bars from LIDL the cathedral of frugality. Podcasts are my jam when I’m working and I love to listen to Your Mom’s house podcast every Wednesday, it’s super funny and they really say some degenerate shit, makes me laugh hard! Listening to stuff helps me get in the zone when I’m making, it becomes automatic and I think less about it, giving it a real flow. FLOW. So yup, dirty paper. Oils, dirt pastels. 

oil pastel, clay, paper, thread.png

oil pastels on dirty paper that I sewed together

Methodicalism is about being prolific

Today I have accomplished quite a lot, first I went on a lovely walk in the snow with Rocky my Jack Russell, I got really inspired by a fungus of some kind I saw on a tree, it was super vibrant and stuck right out against the white snow in the wooded area I was walking in. When I got home, I made a strong coffee and decided to put some of the clay I had hanging up in a pillowcase after levigating it last week on some plaster bats to dry it out faster to make it workable. I’m going to make some pots, primitive sort of pastels and paint from this batch of clay.

sketchbook I made today

sketchbook I made today

After lunch I made a couple of smalls sketchbooks with some cartridge paper and churned out a few fast drawings, focusing on earthy and oxide colours with watercolour paint and homemade charcoal. I then made a cardboard mould and varnished it ready to pour some plaster in to make a plaster slip casting mould that I’ll be able to make small vessels to hold colours I mix. All of my practice revolves around the materials I use, the process of making things from scratch feeds into my drawings and paintings, I like to illustrate processes using both very obvious drawings/diagrams and also more stylised/abstracted paintings that tend to evolve into fully abstract paintings focusing on the paint itself and the qualities of it. I’m going to try and write an update like this everyday weather anyone reads it or not. 26/01/2021

fun guy I saw on my walk

fun guy I saw on my walk

a mould to make a mould out of plaster to slip cast small vessels to store colours and stuff

a mould to make a mould out of plaster to slip cast small vessels to store colours and stuff

Take a walk.

Bonnard once coined the term “un arrêt du temps” which translates to - painting is a stilling of time. When he paints, he is trying to relive a moment again and again

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Knowing when to stop

Walking through the sludge of unproductive comfort, digitally manipulated photograph of drawing. 2020 Jack Halford

When you like the quality of something you’ve made, STOP! Try to make another like it, keep making other work trying to get what you liked, only go back to it once you’ve got a few similar ones you like just as much and remember to keep standing back to look at it. Overworking a piece of art is easy and it’s something you have to do, to know not to do it and you have to keep relearning when to stop, stopping is hard. I think a lot of painters have bad habits, I for one eat lots of pizza, drink all the beers and was smoking for a few years till I got really into cycling and venison. I think sitting in your own mess drunk with a fag hanging out your gob can lead to good art, but there’s a fetish, a sick romanticization of bohemian squalor and it breeds unhealthy habits amongst the impressionable under 25yos who read shit about Basquiat living in a box or Janis Jopling fucking about with heroin, you know, the thing is, a lot of these hippy dippies died choking on their own vomit and that’s no fun. I’d equate these bad habits with not knowing when to stop when you’re painting, or working on any piece of art cos when I overwork something I feel like shit, best thing I can do when I really like a line I’ve drawn is go out on my bike for a really long ride, walk the dog and eat properly, I find in treating my body right, feeding it with fresh air and good food it somehow clears my mind from clutter, from the temptation to ruin a piece by overworking it. I think what radical pieces of art have in common is they stopped just at the right time. The artist probably left the canvas in the studio after midday and went for a pint or a punch up with some rivals who didn’t agree with the way they put down paint. They’d let those marks settle, mature and aerate in the studio whilst they got wankered and passed out or meditated on top of some hill like a monk or sommet. Thing I’m trying to say is, it’s important to figure out what gives you clarity so you can let things ruminate but not in an overwhelming way that leads to headaches, depression and ultimately bad paintings. You have to figure this out, I have to figure this out and be self-aware enough to know when I’m in a rut and to kick myself up the backside to get up and out of that fucking cesspit of banality that produces commercial shite. Remember what we all want is good fucking art on walls or hanging from a ceiling in a space, you don’t get that if you try and make stuff you think people will like or will sell. Fuck that cos life is short, you gotta do what you want, always do what you want, take input, criticism and be inspired but for god sake ignore it as well, get out your comfort zone and you’ll find it’s actually pretty bloody cushy out of there. The sharp jagged cubist cones sticking up outside you comfort zone are actually made of expandable foam, go past them quick smart! Get out of your box, stay out of my box, can I push into your box? Haha, anyways I just needed to write something. I’m on a roll today, made a few paintings, had some fish cakes and a couple of beers after riding my bike for an hour round the countryside. Not been Two Queens for a few days now, Letting some oil paintings sit there for a bit whilst I get to grips with screen printing again. New prints coming soon. This blog post is getting boring now so you can stop reading if you want, it’s turning into a diary, it’s a stream of consciousness, a river of matter of being. Nihilism is optimistic and fuck authority, Don’t let anyone boss me about, my art is mine not yours bitch, said the onion to the tomato, a fire extinguisher squeezed a magpie until it’s guts spilled out on the road, a car slipped on the guts but got back in control and carried on, an argument started between the two people in the car, a man, balding, and a women with blue hair and an ear stretcher thingy, she was over 40 and wearing all black, got out the car and said “whatever mate” walked off up road to Yorkshire and had a cup of tea, she is now an old lady wearing all beige with a sparkly brooch in the shape of a frog. Sip sip sip up the tea Deborah, said one Nan to the next, sip sip sip up the tea, eat that scone with jam and cream, crunch, crunch, crunch that honey comb, honey bunny tummy funny, runny shite coming out it’s ass on the lawn, bloody hell! What’s the dog been eating? Cheese on toast with Worcestershire sauce? Cya!

Landscapes dissipate anxiety.

Hockney was right, I need to explore these ripples, this wet stuff is hard to represent, got to work, ten minutes went by and I thought, the ripples are going in the wrong directions, what’s that light doing there?

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